Monthly Archives: January 2010

How many days does it take to grow a carrot? …and why should you care?

Matt Moore is hoping his “Lifecycles” art installation will change the way people think about the food they eat and ultimately help to preserve farming in the US.

The exhibit

The exhibit – which shows the life cycles of a variety of fruits and vegetables – is on display at the Sundance Film Festival through this Sunday.

Matt Moore's "LifeCycles" art installation at Sundance.

Matt believes that when people are more connected to food that grows in the ground (as opposed to what is manufactured in factories) they might make different, healthier choices.

“If people know it takes 180 days to grow a carrot, how does it change your relationship with food,” he asked.

He also hopes this art installation, which premiered last weekend at Sundance, will make people more appreciative of how important it is to preserve farmland, and farming.

“We can battle about organic or not organic,” he said, “but the first issue is about farming period.”

Matt fears we’re heading towards “a post-agrarian nation” and he’s hoping that his art installation is a way to pass on information that could prevent that outcome.

The public does care

In fact, there has been a lot of positive feedback and “Lifecycles” has proven to be a popular, and significant, attraction at the New Frontiers exhibition hall. People are noticing, watching and thinking.

A lady from Australia felt the installation proves a point about agriculture and made her think about the way people eat.

“If they did this for meat there’d be more vegetarians,” she said.

Adeel, 21, visiting from New York City, found the installation made him think about just what food choices mean.

Matt talks to Adeel from NYC.

“I don’t think I paid attention to how long it takes,” he said. “I never really think [about that.]”

He does, however, believe that people are aware of the dangers of making poor food choices.

“I don’t think people are as ignorant as we’d like to think they are,” he said. “People know but it doesn’t stop them from going to McDonald’s.”

One of the more influential visitors to the exhibit was Robert Redford, creator of Sundance, who spent time looking around the New Frontiers exhibition hall last weekend. And he talked to Matt about the “Lifecycles” project.

“He’s a really nice guy,” Matt said. “Totally tuned in. Such a big advocate for all the projects in here.”

Taking it all in

This whole experience of being at Sundance has been “very overwhelming” for Matt, “in a good way.”

There is still a lot more work to be done. The enthusiasm generated at Sundance should help keep him going.

Matt said that the positive attention “validates the point that it’s timely and people are interested.”

One thing he knows is he is going to need more money to continue.

Matt got a small art grant a few years ago and that ultimately led to him being noticed by Sundance. But most of the funding for this project (and the equipment is expensive) comes from farming and there is an end in sight, for both the money and the farming of his land.

What they have to lose

See, the land that Matt and his wife, Carrie, farm in Phoenix is set to be taken over by development. It’s the land he grew up on, the land his family has farmed for four generations. And it’s not an uncommon story these days.

“I’ve been there my whole life,” he said. “But that meaning, you don’t understand until it’s in peril.”

Matt and his wife, Carrie Marill, at Sundance 2010.

They currently farm 1,200 acres (they own 300 and lease the rest), growing on 300-400 at a time for the purpose of crop rotation. They have an  organic farm on 10 acres of the land where they grow 70 varieties of crops including kale, beans and potatoes. In addition, they grow dairy feed, including barley, parsnips, carrots and sorghum.

The couple originally thought the land would be gone in 2008 but the economic downturn bought them some time.

The future

Matt’s been filming his crops growing for a couple of years but he’s taking the future of his project as it comes, using a lesson that he learned in art school and has since applied to farming.

“I don’t know what’s going to come from it,” he said. “Don’t know that I should. If you don’t force it, it’ll end up happening the way it should.”

To learn more about Matt and his project, or to discuss funding, go to www.urbanplough.com or email matt@urbanplough.com or call (650) 906-6767.

According to Matt:

Radishes take 40 days to grow.
Kale takes 100 days to grow.
Swiss chard takes 105 days to grow.
A grapefruit tree takes 240 days to grow.

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I visited the Swaner EcoCenter in Park City yesterday and learned about the SFF (Sustainable Farming Food program) they’re hosting. More on that coming soon….

Seasonal is not just for food

One mindset tends to encompass several areas of life. Traits like honor, dignity or compassion are part of a way of being. If we’re cautious as drivers we’re probably guarded in other areas of our daily lives.

Likewise, I think in order to be someone who really understands what it means to eat seasonally we should connect it to some of the other aspects of our lives.

When I think of seasonality I think of cycles, ebbs and flows and of being a part of nature, within a natural rhythm.

What does it take to produce fruits and vegetables out of season? Why do we demand something which is unnatural?

In order for there to be strawberries in the grocery store in wintry climates in the middle of February they either have to be preserved and shipped from far away or grown out of accordance with nature.

We all know that. So why would we expect food that is out of season?

Conditioning.

And in my view, it has everything to do with the attitude that expects every burp or sniffle to be suppressed and every emotion to be guarded or numbed.

In the same way, there are natural (which, by the way, means “normal”) methods for approaching what we’re going through to help us heal and move forward.

People go through cycles and seasons just like the rest of the natural world. Understanding – and allowing – those seasons will give you a different view of the world as a whole, what you expect, what you value and how you communicate.

You’ll understand when it’s time to intervene and when it’s time to let nature take its course.

And it will serve you well when you’re picking and choosing your food at the store or a farm because you will be better able to recognize what is in accordance with nature.

The evolution of a blog…and a writer

A while back I was writing an “about me” for a website of mine. In describing the writing process I mentioned my belief that our lives not only shape our writing but our writing also shapes our lives.

And here I am, several years later, living that statement.

Less than two weeks into writing this blog I find my thoughts on the theme of what I want to communicate developing, or, rather, coming together into something I had not fully coalesced before.

And a really cool side effect is that this has changed me.

I knew all along that I wanted to explore not only actual farms and farmers but also the societal and cultural influences that have taken place during the time we’ve moved away from the small farms and readily-available fresh and healthy food.

And I knew my thoughts and discoveries on these issues would evolve.

What I did not expect was to to find myself sitting here two weeks later with my own views, habits and vision of the future shaped by what I found.

A lot of it has to do with everyday decisions, big and small. All life really is is a series of choices. Since starting this blog I am finding myself making my choices from the perspective of what will nourish me best, in all sorts of ways.

It’s amazing how really simple that becomes really quickly.

Nourishing ourselves is about who we are. It’s about making good choices. One thing it’s not about is complacency or letting others make our choices.

I could go on here and will most definitely continue this discussion as the blog progresses. Feel free to post your thoughts. Comments won’t appear until I approve them. It’s just how the blog software is set up.

It’s a cultural thing

Working at the concession stand about 20 feet away, Melissa Anselmo, 24, has a front row seat to Matt Moore’s “Lifecycles” exhibit and has been paying close attention as people from all over the world stop and watch.

A woman at the "Lifecycles" exhibit has the opportunity to connect seeds in a packet to video images of food growing and the final result.

She feels the exposure to fresh vegetables and fruit has been effective.

“People stop and take it all in,” she said.

Melissa feels that it makes people think.

“Okay, this isn’t a grocery store, this came from the ground, it comes from dirt.”

She also feels the exhibit makes people shift away from their usual food shopping mindset.

“People don’t [generally] think where it comes from, they just look at the price.”

She was particularly pleased when a group of local 13-year-olds went through the exhibit and could see “where food comes from.”

Melissa feels that this understanding that food does not just appear out of nowhere is one that should be underscored.

Melissa Anselmo, 24, works behind the concession at Sundance 2010's New Frontiers exhibition hall.

“One of the greatest pleasures is food,” she said. And she remembers when she lived in India that it was hard to get food and it made people appreciate it more.

By contrast, living in New Zealand made her appreciate food on a new level due to the abundance of fresh produce and a much different food culture than what she knew.

“The cows are all grass-fed,” she said. “There are lots of Farmers Markets and people are into local food culture.”

She noted a “huge support” in New Zealand for fresh food grown locally. And it’s not something that’s required a lot of resources.

“They’re not super rich, they’re low key and down-to-earth,” she said.

Melissa just doesn’t see the same general attitude here.

“People think, ‘I don’t want to grow my own food, I don’t want to cook.’”

But she knows that once you start eating fresh food it’s hard to understand how anyone can go back.

She believes for the most part “people don’t want to hear where their food comes from.”

And it’s this bad attitude that has kept people from being responsible for what they eat.

This mindset has kept people from making food a centerpiece of their family time since it can seem easier to just pick up take-out and eat on the go.

When care is taken with food and making the meal is a part of a family’s time together there is more to appreciate and a reason to sit down and enjoy the meal together. It also helps children learn to socialize and communicate.

The New Frontiers exhibition center is located near the top of Park City's Main Street and across from the Egyptian Theater.

As for Melissa, well, she grew up in a fast food environment but moved on to explore and embrace a different pace for food. This has given her an appreciation for the value of fresh and healthy food and for preparing it well.

“I grew up in a crazy busy family. I never learned how to cook until I went away from home,” she said. “Looking back, I would have given up ice skating to cook meals.”

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Coming Soon…. More from the “Lifecycles” exhibit.

Also, I will be checking out a SFF (Sustainable Farmers Food program) based in Park City, UT.

A farmer grows an art exhibit

I finally made it to Main Street today and got to meet one Mr. Matthew Moore!

Here he is:

Matthew Moore at his "Lifecycles" art installation at Sundance 2010

Before he got there I spent some time watching people check out his art installation:

"Lifecycles" at New Frontiers, Sundance 2010

Watching the display up-close was soothing, or “calming” as a gentleman from Australia said.

Sometimes the four monitors positioned over the produce showed self-contained images on some or all of the monitors and sometimes they showed a continuous image, such as the following ensemble of a stream of water, the life force of agriculture:

A stream flows across the four monitors.

Here it is up close:

Close up of a stream.

New Age relaxing music played continuously.

Here’s an image of produce growing:

"Lifecycles"

Beneath the video monitors was produce. Most of the produce is from a local supermarket, but two items are from Matthew and Carrie (his wife)’s farm in Arizona. The radishes and grapefruits:

"Lifecycles" radishes and grapefruits from the farm back in Arizona.

They had some seed packets which were available for people to “take one”:

Take a packet of seeds.

So, I did:

I took a packet of seeds.

I also ate one of the bananas. :)

Matt has been filming his produce as it grows for a long time and his project is a great way to understand where food comes from and it shows just how amazing nature really is.

I have lots to tell you in the coming days about my visit to the exhibit, including feedback from observers as well as Matt’s views on the future of agriculture, why he’s taken on this project and his vision for its evolution.

I’ll also be taking you inside the local supermarket where more of the project is on display.

So, check back soon!

Sundance, Sundown…or is it just a downer?

Yesterday I set out to meet up with Matthew Moore, agricultural artist, and see his display at the New Frontiers Sundance exhibition on Main Street and instead I received a reminder – a reaffirmation – that “progress” isn’t always best.

I have been really excited to see Matt’s art installation. It is a multi-video display of the life cycle of various fruits and veggies. Here, have a glimpse… Matt sent me some photos as a consolation prize for never making it to Main Street yesterday. Here’s one:

Matthew Moore's Lifecycles exhibition at Sundance 2010's New Frontiers exhibition. (Photo by Carrie Marill.)

As you can see, it’s a display of video images and there’s some produce to tie together the idea that food doesn’t just appear from nowhere.

Well, I suppose I’ll see it for myself, hopefully tomorrow.

Meanwhile, back to my surprising lesson:

I was unable to get to the exhibit (it will run for another week) because there was SO much traffic and congestion that I could not find a parking space anywhere near Main Street. This is extremely unusual. I have been attending Sundance on and off for about ten years and never had this problem before, even on the first weekend.

So, I finally decided I could make better use of my time then maneuvering through packed streets and lots and I headed away from the hub of the action.

Over by the Marriott (Sundance headquarters) I found street parking about a block away and headed into the hotel to see what was going on in one of the more common gathering places during the festival.

These people weren’t on Main Street either:

Lobby at Sundance Headquarters at the Park City Marriott

Milling about the lobby (actually, I was on line for the loo) I struck up a conversation with a young lady from New York City. She was in Park City with two friends trying to get in to see some films. And two days into the festival they were exhausted and defeated.

Here, look, one of her friends:

When I told him I was taking his photo for my blog he pulled his hat down but he was still smiling.

The threesome had been spending countless hours (four) that day trying to get tickets for a film. It was ridiculous. They were fed up. Even non-industry people know the score at Sundance Today. If you’re not in the Industry or with a film you’re going to have to spend countless hours (four at last count) trying to get a ticket for a film.

Back in the day when I first started going to the festival it was easy, simple and fun. Even without tickets you could get into just about any film by showing up an hour ahead of time.

And it was pleasant. There was tons of available parking and people came from all over the world to see films that they might not otherwise get to see. There was a camaraderie. Here you were in the middle of beautiful mountain ranges hanging out with other film buffs.

Boy, has that changed. The festival is complete elitism now. They don’t sell tickets to films, they sell film passes for thousands of dollars and parking permits for hundreds of dollars. Seats at the films are reserved for those pass holders. The best way to get individual tickets is if you’re at the festival with a film or some other form of an insider.

I suggest, if Sundance wants to give the festival back to the film buffs (and that’s a big if), that they level the playing field completely. Everyone gets tickets the same way.

But nobody’s asking me. And I don’t care. I’m reconnecting to what’s pleasant and simple and fulfilling.

For those people who are frowning their way through Sundance this year, I’d suggest you’re better off following the advice of The Starland Vocal Band’s message from the 70s:

Find your baby, hold her tight and grab some Afternoon Delight.

If that doesn’t work for you, you could just step outside whichever venue you’re grappling with and take a look at this:

Among the simple pleasures, no waiting on line!

If a chicken clucks and you’re listening to your ipod did it make a sound?

Christopher Popp

Christopher Popp feeds chickens on his family's farm.

Nowadays, it seems people are more concerned with the features on their cellphones than the ingredients in their food.

A part of me understands. I’m sitting here listening to music on my ipod as I write.

But increasingly I have been forming the opinion that for a lot of things what is old is better.

And while this ipod will undoubtedly be replaced with something faster with new features and holding more songs – and I might be amazed by how much more it has to offer – I contend that there is no better way to grow our food than how nature intended and established a long, long time ago.

The move away from the small, local farms that offer a variety of fresh, seasonal food – and towards the larger farms (and factories) that specialize – paralleled a great many other cultural changes.

It is hard to say which came first, the chicken or the egg, but in a literal sense most people probably have no idea where their chickens or their eggs come from these days. And that’s a pretty big deal.

It is my hope to inspire people to ask, to know and to make informed choices. I plan to give you a peek into the world of local farming. And I also will be exploring ways to reconnect with the instinct to seek nourishment and a natural, authentic way of life.

So, I hope you will follow my blog – and see how it grows!

Sport Hill Farm

Children learn about farming at Patti Popp's Sport Hill Farm in Easton, Connecticut.

Hello world!

Welcome to The Farming Journalist – Aspetuck Media’s blog.

The official launch will be in about a week and will feature a story about Matthew Moore, a fourth generation farmer from Arizona who is also an artist. He is bringing his art installation to the 2010 Sundance film festival.  The project describes in video how food gets from the farm to the store.

It is an interesting story and I hope you will stop by to learn more.